(On his Phases and Stages CD, there's a song called "How Will I Know" that you can hear the dim chord very strongly at the beginning of the song - can't miss it.) Listening to Willie years ago is what got me started with the diminished chords. Play xx2323, slide it up to xx5656 and on up to xx8989. (As Brian mentioned, one of the cool things about diminished chords is that they repeat. I called the diminished chord a "G#dim" because of the G# bass note, but it could just as easily be called B, F, or D diminished. This is a very standard jazz progression (often with an Am7 instead of A7 or A9). Here's a two-measure excerpt from Michael Bloomfield's version of "Mop Mop". Similarly, I don't see diminished chords as "passing chords" (if by that you mean as a lower-priority link between two higher-priority chords) - I tend to see them as having their own distinctive sound and musical purpose.ĭespite the examples above, you find them more in jazz tunes and popular music of the earlier part of the 20th century than in folk, blues, rock, modern pop, etc. Like Am7 (ACEG) substituted for C major (CEG). Typically, a substituted chord shares two or more notes with the chord it's substituted for. To try to address your questions, my perception is that diminished chords are not generally used as a substitute for another chord. In rock music, the tune "This Wheel's On Fire" by The Band has several diminished chords in the verse.
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